painting techniques

 

 

A peep into the history of painting reveals how different painting techniques were used depending upon the urge of the artist. These techniques have evolved over a period of time with the evolution of artist’s nature, his instincts and the way he wanted to express his art. Let us look at some of these techniques.
 
“Gestural abstraction” or “Action painting” as it was often called is a style where paint is liberally splashed onto the medium in a random manner. All of us have used this method at one time or the other when we were kids.. Airbrushes as the name implies sprays ink, dye , paint on the media, designing it according to our taste. Arfe’ creates art works by staining the medium with coffee. Some Indian artists like Mira Chudasama and Amita chudasama paint using this technique.
 
Painting techniques using brush and ink is more oriental in nature. Wash painting originated in China and slowly spread to Japan. In this technique, the ink was ground by the artist himself and the basic material used was charcoal ash which was got from bamboo or pine. Water was mixed with this ash and ground to a smooth consistency until the desired concentration was attained.
 
Hot wax painting or Encaustic painting as it is called uses a combination of beeswax and colored pigments. Some encaustic mixtures contain damar resin, linseed oil or other types of waxes. Metal tools and special brushes or heated tools are used as wax solidifies when it cools.
 
Fresco-secco is a technique where dry plaster is moistened and water colors are added to it. In Fresco painting, the colors are added to plaster which is still wet. Application of glazes is quite common in painting for the Creating of transparent mediums.
 
Scumble is a technique which closely resembles glazing, the only difference being is that the coating is opaque. Sometimes the paint is laid heavily on the medium and is actually mixed directly on it. This is called as Impasto. Oils and Acrylics can be given this treatment.
 
Imprimatura is the creation of a bottom layer over which subsequent layers of paint are applied without covering it completely. The under layering method is often used in indirect painting. Verdaccio and grissaile are examples of this technique.
 
Wet-On-Wet as the name suggests is the application of lighter colors on darker ones when the latter is still wet. This form of painting is very convenient when the painter wants to blend colors. If the painter wants the paint to stay on the medium he does not use water to mix his colors. By dipping the brush in the color and using a dry brush on the paper, he can ensure that the paint stays the way he wants it to stay. There is another technique which painters often use. It is called as negative painting. Here the object is not painted, but the surrounding areas are. This ensures that the object becomes visible.
 
Indirect painting was often resorted to by Rembrandt and Rubens. Painters can construct their painting grading the coloring from dark to light or from light to dark. If no gradation is needed, the initial layer will be opaque. Direct painting as the name indicates is using paint in an opaque manner in a single application. The Impressionists used this form of painting in the initial works.
 
Lost and found edges is essentially a watercolor technique where paint is applied thickly on the paper and with a second wet brush, the initial thick paint is drawn away from the edge, giving it a softer look. Sfregazzi is used to create glazes over light areas by applying shadows. Sfumato is resorted to when the painter wants to make gradual transitions from light to dark.
 
Tempera painting is a method where the colors are mixed with egg yolk and then applied to a prepared surface.
         
The Mughal Court Paintings for which Indian artists are very famous, used a method in which watercolor was applied in an opaque manner on the paper over the drawing so that the under drawing was visible. The painting was burnished creating a smooth painting surface. More color was added to the basic surface and the compositional elements added one by one. The final outlines were done in black.

Apart from all these techniques in learning art, there are fun painting techniques like sponging, Ragging and Rag Rolling and Broken color techniques. In Sponging, a solid coat of paint is applied and when it dries a glaze is applied over it. This is done with the help of a sponge which is wet. It helps to create a mottled look. In Ragging or Rag Rolling, use a crumpled cloth instead of a sponge to produce dramatic effects like crushed velvet. In The broken color technique, more than one color is applied in broken layers over a base color. This helps to give a textured effect.

Thus we see that there are many ways to produce the kind of effects that we want. These techniques help to create a mood using light and dark. In the same way, one can create values, shapes, textures, depth, white areas by using one technique or the other.  Of course, using a particular technique is highly individualistic in nature, and is governed solely by what the artist wants to do.

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